Friday, August 31, 2007

tokyo fashion week ::: day 01

I haven't payed much attention on tokyo's fashion week before. Can't really tell why since the smaller shows with lesser known designers really tend to offer unseen, unusual, interessting funky stuff. So in the case of the current tokyo fashion week.
Huh, I knew that the Japanese are very different from the Europeans (more stylish, experimental, individual, etc.) but hey, they have stuff I wouldn't wear in my wildest dreams - I don't mean that in a negative way! But please take a look at the photos here (regulary updated - very nice and professional) or visit f&art every know and then so see my personal selection of ss08's most amazing, weired and stunning stuff.

mercibeaucoup

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more information

Everlasting Sprout

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more information

Support Surface

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Ylang Ylang

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Yuge

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Wednesday, August 29, 2007

Kate and I took some photos today...

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Alice whom I studied with was also there ♥

You name it...

I've been awarded "Rockin' Girl Blogger" twice, guess that means I really f***ing rock!? Whatever...

Many thanks to beloved Jennine from the coveted and Amber of painfully hip.

I would love to pass on this award to Asudem Latex of doll's realm for keeping me updated on topics of the world of dolls and latex. I once reviewd her blog here. Since then I check back every now and then to get inspiration, see the latest fashion spreads including latex or simply feel amused by latex fetishism ♥
To Patricia of bobble bee for loving so many things I love aswell. And for doing so many fantastic things, like running a cool online magazine and stuff... Guess we really have to meet sometime!
To Alix of cherry blossom girl for introducing me to her blog today. It was love at first sight, wow ♥ (she keeps me learning french!!!)
To bored and beautiful written by Danielle who keeps me informed about new stylish young - often German - fashion designers and who keeps me reserving my first real (!) pay check for spending it on styleserver (already got one dress there...).

And there are many many more I'd love to award. But, most of them have already been awarded... Please ladies, keep up the good work ;-)

bloggers in other blogs

stilinberlin Credit: playlust

This time it's Mary of Stil in Berlin and Pudri I spottet at Playlust from Zürich. It's strange sometimes to see how the virtual and real world tend to mix up. One day we all are going to met ♥

Tuesday, August 28, 2007

interview ::: copenhagen girls on bikes

1140576547_a9826da435 Credit: Zakkaliciousness

S of do this don’t had this post on heels on bikes a couple of weeks ago. Whether it’s a good idea to do it or not. Some readers din’t think so:

Biking in heels--girl, you crazy! No, I can imagine doing that. Rock on wichyo' bad self. I bet you look very stylish“ says alexgirl. Shelby thinks „Wow. You deserve a huge shiny award for your feat! And your probably poor butchered feet!“ and Carolina actually „never saw a girl in a bike wearing heels!

Hhm. I was a little bit confused by that. All in all none of the commenting readers ever saw a girl riding her bike in heels. I have to admit though that I only did it once in Mary’s shoes in Berlin, but that’s because I hardly wear heels, but ride my bike a lot so if I would wear heels more often I woule definitely wear them on my bike (not on my racing bike, though). Ladies, it is absolutely NOT dangerous, strange, hard or whatever to ride your bikes in heels, you don’t even touch the ground they just hang there, no difference to flat shoes, I promise!!!

02 Credit: Zakkaliciousness

The stylish girls from copenhagen proof it once more. On flickr I came across a very interessting photo set called copenhagen girls on bikes and voila nearly every shown girl wears heels, like it was nothing! Here you go…

The photos are taken by director and photographer Mikael Colville-Andersen (I somehow seem to be attracted to filmmakers – read my last interview here) who runs a blog aswell called cycle chic - a documentary in high heels. He was so kind to answer some questions on Copenhagen, its bikes and its stylish heeled women on them:

0706 Credit: Zakkaliciousness

Who are you and what do you do?

I am a film director and photographer. Currently in pre-production for my next feature film.

In Copenhagen the bycicle seems to be the no.1 means of transport. Why?

The bicycle has been an important aspect of life in Copenhagen for a century, but especially over the past 50 years. 36% of Copenhageners ride their bike to work or school each day. That's over half a million daily cyclists. (more info and stats on my other blog: http://cycleliciousness.blogspot.com - Copenhagen Bike Culture Blog). The reason is found in visionary investment in infrastructure, which is the foundation for creating a bicycle culture. City councils around the world are speaking of "Copenhagenizing" their cities. Even in this ancient capital there are bike lanes on every street and the bike enjoys equality with automobile traffic regarding traffic laws. Like the quote in the film "Field of Dreams"; "if you build it, they will come." Copenhagen has built bike infrastructure and we now reap the rewards.

What kind of bikes are most likely to be used?

Bike are both accessories and utility vehicles. Women tend to use so-called "Grandma bikes" and men lean towards basic City bikes. Mountain bikes and fancy racers just look silly. Many people personalise their bikes; putting plastic flowers in the basket, or stickers on the frame or even painting the bike.

0308 Credit: Zakkaliciousness

You take photos of all these nice fashionable girls on bikes. Is Copenhagen really as stylish as we all think it is?

Copenhagen is a stylish city. In other metropols like Berlin, Paris, New York there are extremely fashionable people but the large part of the population are rather plain. In Copenhagen, in my opinion and experience, a much larger percentage of the population are well-dressed and possess a sense of fashion. Much more so compared to other cities. It is surely our emphasis on design and aestheticism that is the cause.

How do you work? Out of a car or on bikes aswell? Do you talk to the girls afterwards or do you shoot them secretly?

Every one of my shots is taken on the fly. I don't ride around looking for fashionable cyclists. That would be strange and spooky. :-) I merely snap the ones I see on my way to work or to the supermarket. I primarily shoot from my bike although occasionally I'm in a car. Which is the most telling aspect of making a portrait of cycle chic - it is everywhere. All the time. I prefer the street photography method. The blog has been called Social Documentary in High Heels and I am true to the tradition of Social Documentary.

It's kind of stalking, isn't it? Are heels on bikes some kind of fetish for you?

For some reason it is mostly Americans who have questioned the stalking aspect. Europeans are more used to seeing photos of life in our cities. The photos have been published in many magazines and I've been contacted by several cyclists who asked for copies of the photo I took of them. So the stalking aspect doesn't ring true for me. When riding with my wife, she will often spot fashionable cyclists before I do and tell me to get the camera out. How else can you record the fabric of a city, its people and its moods? I have almost 4000 photos on my Flickr account. 300 are of my fellow Copenhageners on bikes. So it is hardly an obsession. A fetish? If I enjoyed wearing heels myself as I rode around town, THAT would be a fetish. I call it a healthy fascination with my surroundings - that goes for all my photos.

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Would you call copenhagen girls on bikes a streetstyle blog? How do you see yourself in between all these (upcoming) blogs on cities' streetstyles, like the satorialist, stil in berlin, style scout, facehunter etc.?

I would call Cycle Chic a streetstyle blog, sure. Street style blogs are just social documentary with a fashion twist, anyway. In ten or twenty years we can look back at all of these photos and map the fashion transition and evolution like never before.

Related Links:
Cycleliciousness - blog on Copenhagen bicycle culture
cycle chic blog on copenhagen women in high heels on bikes
flikr photoset showing copenhagen girls on bikes

American Apparel ::: Sale

So ladies (and gents, there is also stuff for you on sale!) have your credit cards ready...


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01 Credit all @ americanapparel

The second bathing suit though is nothing for women with large breasts (like me...).

Tendence Lifestyle ::: part 01

0105 Credit: tendence-lifestyle

There are lots of things happening to me right now. I manage to work at least 3 hours per day on my master thesis – hey that’s not too bad, isn’t it? I have an interview for a job on Friday and if it works out I’ll be able to stay in Heidelberg for now – which is good and bad at once… but well better than moving just somewhere!

I’ve been to Tendence Lifestyle in Frankfurt on Saturday which happens to be the world’s largest fair on trends and new products from the areas of home decor, table, kitchen and gifts. More than 3000 exhibitors presented their products. I was solely interessted in the young avant-garde designers. A lot of them studied product or industrial design at my school.

My visit to Frankfurt gave me lots of new stuff to post about, so expect some posts on young fresh designs the next couple of days.

Taschide | Tan und Schiebe Design

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wreath Credit: taschide

I love their mirrors. More stuff here and don't forget to check out their blog


Sunday, August 26, 2007

Alex&Chloe

01 Credit: alex&chloe

As you might already know I’m not a fan of jewelry at all. I rarely wear necklaces (only if they are really huge and chunky), bangels, rings, earrings, etc. That might also be a reason why I hardly post about jewelry. But from time to time I stumble upon stuff that catches my eye. Katharina of the german fashion blog pudri (I sometimes post there aswell) is a huge fan of necklaces by the US Desing team Alex + Chloe. Unfortunaltey she lost one of her beloved ones on a Berlin trip…

Anyway. They design braclets and necklaces I consider wearing. They are funny, cool, interessting, loveable and really not THAT expensive.

03 Credit: alex&chloe

Alex & Chloe create unique accessories that merge the appreciation for couture with a contemporary, minimal aesthetic. Using precious metals and jewels contrasted with iconographic objects in acrylic and metal, their accessories effortlessly make a statement that is sometimes intelligent, beautiful, bold, humorous, eclectic, and always wearable. Alex & Chloe have been gaining popularity since their debut collection, “Shadow and Light,” and their follow-up collection, “From Our Neck of the Woods,” and have developed a dedicated following amongst the local and international fashion scene. They are known for their originality and references to popular fashion icons such as their “Coco is Dead” pieces and “Kate (the only “Moss” in our woods)” necklace. Alex & Chloe promise to continue creating exclusive accessories and have plans to expand their collection to include such things as fine jewelry, leather goods, and even clothing.“ (Brand Profile)

Just take a look

Friday, August 24, 2007

Heidelberg Streetstyle

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Credit: michael knox
Diana, 17, Stylish tourist from London
in a nice dress by Miss Selfridge


documenta 12 ::: fridericianum level 02 ::: trisha brown

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02 © Trisha Brown; photo Katrin Schilling / documenta GmbH


One of the artist's works at documenta 12 I really loved was the one by american choreographer Trisha Brown. Her work shown at Fricericianum’s second level was definitely one of those works that has the most admirers especially amongst visitors who normally don’t go and see art exhibitions that often. There is something happening, it’s an ongoing performance...



I love the work of Trisha Brown because of her aim to connect modern dance with art and not only in a „hey dancing is art“ way but in a conceptual way. Minimal Dancing as a form of Minimal Art. I wrote about an exhibition I visited at the Kunstmuseum Siegen a couple of months ago - Dance | See. It was about dancing as a theme in modern and contemporary art. Many artists like Robert Rauschenberg or Donald Judd also dealt with dance as a form of Minimal Art during their artistic careers a fact that lead me to the idea on researching dance and minimalism in order to get my phd (well let’s talk about it in a couple of months...). Yvonne Rainer (who’s performance I wasn’t able to see in Kassel, damn it – it was sold out too quickly!) and Merce Cunningham are also very important to mention in that context. But well, back to Mrs. Brown:

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The fact that Roger Buergel chose her as an artist to participate in documenta 12 was quite surprising for her, and showed her that she seems to be accepted as an artist (and not “only” as an choreographer) at last – at the age of 71. The demand for her work is constantly increasing. Besides Kassel she has shows and performances running in Paris and Schwetzingen (Salvatore Sciarrino’s “Cold”) and in Aix-en-Provence (Claudio Monterverdi’s “L’Orfeo”). At documenta 12 she shows within one of the three leitmotifs “Is modernity our antiquity?” two of her choreographies from the 1970s – one of them “Floor of the Forest”.

06 © Trisha Brown; photo Frank Schinski / documenta GmbH

She lived the live I dreamt of when I was a bit younger than today. I used to dance a lot and loved it but never was that good to be a really good, innovative, remarkable dancer (I met some if those...). I always was too tall, to feminine, too unflexible, too whatever... Instead of trying to work into the modern dance section I quit ballet lessons (three times a week with “floor” exercise classes to stay flexible in addition) at the age of 13, totally devastated and disappointed. I restarted dancing around 19 (modern, ballet, hip hop you name it...) and loved it, but had to stop because of money issues... will I ever be able to start again?

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Trisha Brown started her career in the 1960s. Trained in modern dance she came to SoHo, New York and rented a football-field large hall to start reinnovating modern dance. Raised in Aberdeen, Washington she quickly made contact with New York’s art scene of that time, with people like Robert Rauschenberg for example, with whom she should work a lot with. She worked for Merce Cunningham and gave Donald Judd’s wife dancing lessons. “These was a great time”, she says “everything was questioned, and so the work really got radical, like a manifest. [..] The only ones who were afraid of change, were the dancers.”



Trisha Brown broke with conventions and invented an abstract pattern of movements without any pathos. “Structure is my baby”, she says today. She started to dance in parks, galleries and public spaces, walked down fassades or staged a “chinese whisper” choreography on top of 12 roofs of SoHo. And she always worked with artists: Rauschenberg and Judd created settings for her stage performances, Jonathan Demme (“Silence of the lambs”) filmed her work, together with Lina Werthmueller she staged “Carmen” and Laurie Anderson composed her soundtrack. And finally Trisha Brown draw herself. With chalk between her fingers and toes she documented movements on paper. Some of those are shown at the documenta 12 aswell.

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Related Links:
Trisha Brown Company
Trisha Brown at documenta12
Interview by Melanie Eskenazi

Recommended literature:

Thursday, August 23, 2007

look of the day

BlkWZip Credit: sat

Well, guess I can hardly wait for autumn to arrive.
Still have to figure out how to buy new shoes...

Pimps & Pinups

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So Jennine has got a new hair cut and she looks fantastic!!!

I go to the same hairdresser all the time. I found this one lady in Frankfurt and she does it well (not really that experimental and exciting „no if you want to cut your hair short you’ll have to go and see someone else…“), but well friendly and reliable. Somehow I’m sick of trying out new hairstylists, far too many bad experience in past times, especially with hairstylists who can’t handle black hair and don’t admit it before starting. So that’s why I decided to stick to my good old beauty saloon in frankfurt (yes I drive 100 km by car just to get my hair relaxed!). It’s full of black ladies chatting around, not stylish at all, just functional and clean and very very boring, no drinks, no cool music, no interessting magazines… but I have no choice! And I'm still too afraid of going natural and stick to my relaxer...

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01 Credit: pimps&pinups

If I would live in London I would definitely give the guys of Pimps & Pinups a try. I’ll try to avoid going there on my next London visit in case they do something amazing to my poor hair, something noone over here would ever be capable of doing again. Pimps & Pinups lies in the heart of the cutting edge, fashionable East End of Spitalfields.

Though born and raised in South Australia, cousins Simon and James Charrison moved to London in 2002 to achieve their long-time vision to create a boutique salon which took the best features from their acquired experience. Simon with his years of hairdressing experience, and a client base that includes celebrities, and James with an expertise in customer service. Their combined talents have merged to create an ultra glamorous salon with outstanding customer service.

Susie Bubble writes this about her first visit:

„I was uber pleased to stumble into Pimps and Pinups based in, where else but the increasingly bustling Spitalfields. No clinical white harsh bright lighting. No plasmas playing wank music on MTV Dance. It's thankfully un-corporate, and unpretentious about the place with its indie soundtrack, cushty distressed leather couch and a nice beverage to welcome you in - a glass of wine/beer if you need serious unwinding or the usual non alcoholic stuff“. Sounds cool, huh?

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The pressrelease:

Walking into Pimps and Pinups offers a visual experience unlike anything in London. The black-walled space is decorated with 1950’s Hollywood style, dazzling backstage dressing room mirrors, surrounded by lights and ultra luxurious barber chairs shipped in from Japan. The unique appearance has attracted the fashion elite and is rapidly becoming a hot shooting location as well as standing as a fully functional salon. [...] You don't need to be a star to be treated like one at Pimps and Pinups, there is a relaxed friendly feel about the salon, with un-pretentious staff that are incredibly talented and there to make you look and feel special. Pimps and Pinups cater for all hairdressing needs, including cut, colour, straightening and bespoke hair styling.

And isn’t it a great name for a salon?
Read more about services and prices here.

Wednesday, August 22, 2007

creatures of (not my) comfort

01 Credit: creatures of comfort

I really don't want to bore you with my constant brokenness and my lack of money to buy great new clothes. So please imagine that the pictures above show my latest creatures of comfort order. They all are on sale!!!

Heimstone Fall/Winter 07/08

Via fashionologie

Well here you see how I'll look like most of this autumn/winter.
More at Heimstone's website.

Tuesday, August 21, 2007

look of the day

sat Credit: sat

Holy grail. Don't these two swedish boys just look hot hot hot? Hey boys that's what I want to see on your skins right now!!! They look like 1962 just ready to jump into their Chevy Impala's (or something like that, my boyfriend helped me with that...)

documenta 12 ::: fridericianum level 01

documenta 12 © Photo Julia Zimmermann | documenta GmbH

As mentioned yesterday I'll start my covering of this year's documenta with introducing my favourite artists/presentations. Kate has her very own interpretation of documenta 12 which she is really crazy about. Concering her documenta has to be seen as a whole consisting of many tiny elements, which means that the artists themselves aren't THAT important for the exhibition's meaning. She has some very interessting arguments which she plans to put together in a huge article which has to be published (I'll tell you as soon it has happend). Well actually she seems to truely understand Roger Burgel's Leitmotifs which I refused to, but well I somehow did understand them, but am still not convinced that the exhibition is a good one, although the "motifs" were the right ones...

Well here you'll find the floorplan of the Fridericianum, where you'll be able to locate the following artists:

John McCracken | Swift

02 © Courtesy John Mc Cracken, David Zwirner, New York, Hauser & Wirth Collection, Switzerland Photo: Ines Agostinelli

The work by the 1934 born McCracken is located at the Fridericianum's entrance hall. Unfortunately I came in via a backdoor (well sometimes I like it to sneek in unnoticed or simply without lining up) so I missed the experience of waiting and then entering this shiny, reflecting hall. I took my photo when I left and posted it yesterday. The photo here - taken from the press CD - also shows the monolith in the middle of the hall. 1966 McCracken wrote about his works:

“My tendency is to reduce everything to single things: Things which refer to nothing outside themselves, but which at the same time refer, or relate, to everything. I find that I can’t examine my sculptures from a dualistic point of view which sees everything in terms of opposites (life – death, right – wrong, natural – unnatural), because this produces what seem to be paradoxes.”

Well sounds very minimalistic, huh?

Harun Farocki | Deep Play

01 © Courtesy the artist / Greene Naftali Gallery, New York Photos: Julia Zimmermann / documenta GmbH

Guess this was the room a lot of male visitors liked the most. At least SOMETHING to refer to. I don't know why I was so fascinated about this room, well it probably reminded me of last summer's worldcup here in Germany, or I simply liked the idea of searching for a higher "spirit" behind common things, like football for example.

"One-and-a-half billion people saw exactly the same images of the World Cup final in Berlin’s Olympic Stadium last year. Harun Farocki interprets this phenomenon – the monopolisation of live pictures – as the television industry’s staging of the world. On twelve monitors in the rotunda of the Museum Fridericianum, his video installation Deep Play presents original material from the television broadcasting companies alongside digitally processed images that simulate the mathematical analysis of the game. There is no commentary, only the unfiltered voices of sports commentators, police and TV stage-direction which expose the process of perfection to which the telecast is subjected." (pressrelease)

Peter Friedl | Tiger oder Löwe

03 © Peter Friedl; photo Hans Nevidal / documenta GmbH

I loved the tiger and the snake (which isn't real). They both reminded me of my playing dog. Well art? Yes, there's something in here! The video is an comical homage to a Delacroix painting (Tiger and Snake, 1862), hanging in the Hamburger Kunsthalle.

delacroix Credit: corcoran.org

"When invited to a group exhibition, Friedl once brought a real tiger and a stuffed snake into the Olympiasaal, the room in which the historical point of reference hangs. Like Friedl, Delacroix was also interested in contemporary theatre, Shakespearean dramas for example. In Delacroix’s painting, the tiger threatens the snake in the wilderness. Friedl’s video is an ironic challenge to the pathos in Delacroix’s painting, and serves to put 'the institutional expectations on another level'."(pressrelease)

I guess this video is one of the few pieces Roger Buergel installed for enjoyment!? Alright, I enjoyed it!

Trisha Brown | Drawings

04 © Trisha Brown; photo Egbert Trogemann / documenta GmbH © VG Bild-Kunst, Bonn 2007

Not the most spectaculas work of the New York based artist/dancer/choreographer (I'll come to that one later), but well I very poetic little arrangement of very nice and inspiring drawings.

"Drawings have accompanied Brown for a long time. They remain a private expression. At the beginning, they were a documentation of what she did in her choreographies. Then the hand and floor drawings took on a life of their own. Today she also sees ideas in the drawings that flow into the dance process. Quick drawings move, and movement is drawing in the air." (pressrelease)